All of the Secrets Behind The Hair In ‘Pricey White Individuals’ Season 2
Warning: This submit incorporates spoilers.
We have waited over a 12 months, but Expensive White People is lastly back. The acclaimed film turned Netflix collection centers around the lives of African American students as they come face-to-face with microaggressions at the fictional predominately white, Ivy League Winchester College. Based mostly on its recognition and scope of a “postracial” America on a faculty campus, the present was renewed for a second season—and rightfully so. The conditions Winchester college students discover themselves in feel all too familiar for women of color.
Aside from the drama and brilliant commentary on “wokeness,” whereas binge-watching the primary season of Pricey White Individuals, I couldn’t seem to take my eyes off the superb hair appears to be like that I so desperately needed to re-create. From textured pompadour of lead character Samantha White (played by Logan Browning) to waist-length field braids of Joelle Brooks (Ashley Blaine), it was actually refreshing to see the versatility of natural hair flawlessly depicted within the series. More than that, the show captures the difficult relationship black girls have with their hair—and, for so many of us, how it charlies angels wigs ties into our identities.
With the show returning to Netflix this weekend, I caught up with head hairstylist Dontay Savoy to learn extra about how the characters’ hairstyles play a task this season. Savoy is an advocate of the pure-hair movement, which is why he needed the kinds this season to be reflective of that. “It was extremely important to show that it is Ok for black girls to embrace their pure curl patterns,” he tells Glamour. “For a long time, ladies have been stored hostage of proudly owning what precisely that their very own pure hair does by straightening it with relaxers, chemicals, and combs.”
This, if you remember from last season, was a big plot point for Colandrea “Coco” Conners (played Antoinette Robertson). Episode 4 dived into her painful quest to cover up her impoverished upbringing and slot in with the magnificence requirements of her white counterparts. She ditched her pure hair for sew-in extensions after which moved on to wigs. “Her character is sort of glamorous, however we’ve obtained to bear in mind, she’s nonetheless a college pupil,” says Savoy. “She comes from poverty, but she’s making an attempt to make it appear to be she’s the glam lady, the fairly lady who’s always been it. She does not need anybody to know she’s ever been poor or needed to struggle.”
Now, as black ladies are continuing to break free from the constraints of Eurocentric beauty ideals, Savoy says it was vital this was additionally mirrored within the characters on the present, especially Coco, who’s struggled with this part of her id for thus lengthy. For the opening scene of season two, Savoy ditched Coco’s normal free waves and curls for a extra audacious look. “I gave her this lengthy, 45-inch ponytail with blunt-minimize bangs,” he says. “That was one in all my favourite hairstyles for Coco, because it was completely different. You by no means saw her hair pulled away from her face, so that you have been in a position to see how stunning she actually is.” From the get-go, we see her interacting with her hair in a manner she normally doesn’t—she’s seen stroking her ponytail and even whips her hair at Sam—conveying the energy and confidence she’s constructed up over time. “Her hair is an accessory to her shadiness [this season],” says Savoy.
Meanwhile, Joelle Brooks’ box braids made their return, however Savoy determined to diversify the best way they have been styled. “For season two, I made certain I sent her to the perfect braider,” he says. “Lots of people suppose that once you wear braids, you just have one or two kinds and that’s it. I wanted to show we could deal with braids similar to they’re regular hair.” One in all his favorite kinds “We put four or five cornrows in her braids, and it just turned out magnificent,” he says.
While Joelle didn’t make a drastic hair change, the change in her styling added to the shift in character to her character. “Joelle involves learn more about herself this season,” says Savoy. “She realizes that she has extra than simply brains. She starts to fairly herself up and add hair jewellery for a pop.” For instance, in episode two, Joelle is shown with her hair in braided ponytails and gold-detailed beading singing Erykah Badu’s “Tyrone” during an open-mic segment after realizing she has emotions for Reggie. It was no coincidence that Brooks paid homage to Badu, who’s long worn a plethora of pure hairstyles.
And then, after all, there’s Sam—who’s pinned-up, crownlike pompadour is central to how she wants the world to see her. As a social activist and agent for racial equality, her hair mimics the styles worn by different historical black feminists like Madam C.J Walker and Ida B. Wells. In season two Savoy wished to add a twist to Sam’s signature ’do by giving it more of her pure texture (which he used Eco Styler Moroccan Argan Oil Styling Gel to keep in place for hours).
Sam’s hair also symbolizes some of the non-public hardships she endures this season—a visual signifier of her breakdown. The place for other characters, this is often shown as haircut, for Sam, it is shown in the loss of her “crown.”
“There are moments the place you see Sam begins to wear all of her hair down in curly kinds that are not structured,” says Savoy. “They’re not held together with pins or anything. She’s just sporting it free.” One of these moments Savoy refers to particularly speaks to a scene episode nine, when Sam finds out that her dad has died. As she heads residence to be along with her family, her hair is completely down and in its seemingly pure state. “Sam was bored with combating, so the bold, structured, crowned hairstyles started to diminish,” says Savoy. “The man of her life passed away, and at that point she had nothing extra to prove along with her hair.” She wore that hairstyle at school to indicate her tough exterior, and this episode reveals Sam in her most weak state, as she is crammed with grief and remorse.
Courtesy of Netflix
Whether an indication of energy or loss of it, what Dear White People does so effectively once once more this season is capture the nuance and complexities of black hair in 2018. We all have our crowns—and this exhibits us the infinite ways we can wear them.